見(jiàn)證開(kāi)戶(hù)

Each time we pick up a new video game, we’re faced with the same dilemma: “How do I play this game?” Most games now feature tutorials, which can range from the innocuous — gently introducing each mechanic at a time through natural gameplay — to downright disruptive — in which the gameplay freezes to text box after text box.

我們挑選了一個(gè)新的視頻游戲éACH時(shí)候，我們面臨著同樣的困境：“我怎么玩這個(gè)游戲？” 現(xiàn)在，大多數(shù)游戲都具有教程，其范圍從無(wú)害的游戲(通過(guò)自然的游戲過(guò)程一次輕輕地介紹每個(gè)機(jī)制)到徹頭徹尾的破壞性游戲(在其中將游戲過(guò)程凍結(jié)到一個(gè)文本框后一個(gè)文本框)。

However some games opt for no tutorial at all. Games like Pong are fairly simple: move up and down and try to outscore your opponent. Because you have so few inputs at your disposal, everything you see in front of you is all you need to intuit how to play. Computers can even “l(fā)earn” how to play many of these games on their own, sometimes outperforming their human counterparts.

但是，有些游戲根本不選擇任何教程。 像Pong這樣的游戲非常簡(jiǎn)單：上下移動(dòng)并嘗試超越對(duì)手。 由于您的投入很少，因此您眼前所見(jiàn)的一切都是您直覺(jué)如何玩的必要。 電腦甚至可以“學(xué)習(xí)”如何獨(dú)自玩許多這樣的游戲，有時(shí)甚至勝過(guò)其他同類(lèi)游戲。

“A good start would be to recognize within yourself the ability to understand anything, because that ability’s there, as long as it’s explained clearly enough.“

“一個(gè)良好的開(kāi)端就是在自己內(nèi)部承認(rèn)理解一切的能力，因?yàn)橹灰凶銐蚯逦慕忉?#xff0c;這種能力就在那里?！?

— James Burke

-詹姆斯·伯克

But even in these games without instruction, the absence of a tutorial is coincidental. The designers didn’t include one because they thought none was necessary. What if having no explicit tutorial was one of the key features of the gameplay? The Witness sets out to achieve exactly that. In this puzzle game, discovering the rules for yourself is the driving experience.

但是即使在這些沒(méi)有指導(dǎo)的游戲中，缺少教程也是偶然的。 設(shè)計(jì)師沒(méi)有包括一個(gè)，因?yàn)樗麄冋J(rèn)為沒(méi)有必要。 如果沒(méi)有明確的教程是游戲玩法的主要特征之一怎么辦？ 見(jiàn)證人著手實(shí)現(xiàn)這一目標(biāo)。 在這個(gè)益智游戲中，發(fā)現(xiàn)自己的規(guī)則就是駕駛體驗(yàn)。

All you need to navigate the island is a willingness to discern for yourself how the world works. Early puzzles are very simple, where you can naturally deduce your objectives. Every successive puzzle beyond those is meant to refine your understanding of the environment. If you’ve stumbled upon a solution haphazardly, you may want to investigate it further before proceeding — later puzzles can be quite unforgiving.

您需要在島上航行的唯一意愿就是親自了解世界的運(yùn)轉(zhuǎn)方式。 早期的難題非常簡(jiǎn)單，您可以自然地推斷出目標(biāo)。 除此以外的所有后續(xù)難題都旨在增進(jìn)您對(duì)環(huán)境的理解。 如果您偶然發(fā)現(xiàn)了一個(gè)解決方案，則可能需要在繼續(xù)之前進(jìn)行進(jìn)一步的研究-以后的困惑可能會(huì)令人難以原諒。

Each region of the island is littered with its own bespoke set of puzzles that alter the parameters of the game, with a steep learning curve as you delve further into each territory. Every now and again you’ll find puzzles that combine several of these elements to form some truly hostile challenges. Be careful not to lose your wits.

島上的每個(gè)區(qū)域都散布著自己的定制拼圖，這些拼圖會(huì)改變游戲的參數(shù)，隨著您深入研究每個(gè)領(lǐng)土，學(xué)習(xí)曲線會(huì)陡峭。 時(shí)不時(shí)地，您會(huì)發(fā)現(xiàn)難題，這些難題將其中的一些要素結(jié)合在一起，構(gòu)成了一些真正的敵對(duì)挑戰(zhàn)。 注意不要失去智慧。

Fortunately, when you do find yourself in need of relief from the puzzles that ail you, you’ve no shortage of options to explore. Among the biomes you’ll encounter are a monastery tucked away beside a chirping forest, a fortress teeming with hedge mazes and pressure panels, and a prismatic greenhouse overlooking the coast. For the most part, you won’t find any music in the game to accompany your travel, making for an immersive experience.

幸運(yùn)的是，當(dāng)您確實(shí)需要從困擾自己的難題中解脫時(shí)，您會(huì)發(fā)現(xiàn)很多選擇。 在您遇到的生物群落中，有一個(gè)藏在一片forest森林旁邊的修道院，一座堆滿(mǎn)樹(shù)籬迷宮和壓力板的堡壘以及一座俯瞰海岸的棱形溫室。 在大多數(shù)情況下，您不會(huì)在旅途中找到任何音樂(lè)伴隨著沉浸式體驗(yàn)。

There’s not much in the way of a narrative that is presented to you. But there is such clear attention to detail in the structures which span the island that you may find yourself speculating all the while. There’s a constant struggle between monuments and nature that give each part of the island its own character, imbued with varying degrees of disrepair. Stone figures populate various destinations as if frozen in time, awaiting a backstory of your choosing.

呈現(xiàn)給您的敘述方式不多。 但是跨島的結(jié)構(gòu)對(duì)細(xì)節(jié)的關(guān)注如此之明顯，以至于您可能會(huì)一直在猜測(cè)。 古跡與自然之間不斷進(jìn)行斗爭(zhēng)，使島嶼的每個(gè)部分都有自己的特色，充滿(mǎn)了不同程度的失修。 石頭雕像像凍結(jié)的時(shí)間一樣散布在各個(gè)目的地，等待您選擇的背景故事。

Now if this game were just a vibrant island filled with line tracing puzzles, you’d probably still enjoy it all the same. The Witness provides an engaging succession of puzzling one-upsmanship that is sure to be worth your time. But there’s more than meets the eye. If you’re fortunate, you’ll find a mechanic in the game that stands apart from the rest. That is the set of puzzles that don’t introduce themselves as puzzles at all.

現(xiàn)在，如果這個(gè)游戲只是一個(gè)充滿(mǎn)線描拼圖的充滿(mǎn)活力的島嶼，您可能仍然會(huì)喜歡它。 見(jiàn)證人提供令人困惑的令人難以置信的一鍵手法，這肯定值得您花時(shí)間。 但是，不僅僅是眼神。 如果幸運(yùn)的話(huà)，您會(huì)在游戲中找到與眾不同的機(jī)制。 那是完全不會(huì)將自己介紹為難題的難題。

Chances are, the first time you encounter one of these hidden puzzles, you’ll simply stumble upon it. You’ll stop for moment in your tracks, perceive that something is afoot, and realize that what lies before your eyes is unmistakably yet another puzzle. Surely the mere existence of this one hidden puzzle implies the presence of more. This newfound prospect of discovery is what makes the experience so exhilarating. It is unabashedly awesome.

第一次遇到這些隱藏的謎題時(shí)，您可能會(huì)偶然發(fā)現(xiàn)它。 您會(huì)暫時(shí)停下腳步，感知正在發(fā)生的事情，并且意識(shí)到眼前的事物無(wú)疑是另一個(gè)難題。 當(dāng)然，這個(gè)隱藏謎題的僅僅存在就意味著更多的存在。 這種新發(fā)現(xiàn)的發(fā)現(xiàn)使體驗(yàn)如此令人振奮。 確實(shí)很棒。

“Awesome things don’t hold anything back. Awesome things are rich and generous. The treasure is right there.”

“很棒的事情不會(huì)阻止任何事情。 令人敬畏的事物是豐富而慷慨的。 寶藏就在那里?！?

— Brian Moriarty

—布賴(lài)恩·莫里亞蒂

It’s even crazier to think that they were right under your nose the whole time. This one pivotal experience changes the nature of the game completely, forcing a radical rethink of the environment you’ve come to know up until this point. If you’ve found the standard puzzles rather drab or unengaging thus far, this new set of puzzles will reinvigorate the gameplay, as anything and everything has become fair game in the hunt for the secrets of the island.

一直認(rèn)為它們一直在您的鼻子底下甚至更瘋狂。 這項(xiàng)關(guān)鍵性的體驗(yàn)完全改變了游戲的本質(zhì)，從而迫使人們重新思考直到現(xiàn)在為止您所了解的環(huán)境。 到目前為止，如果您發(fā)現(xiàn)標(biāo)準(zhǔn)拼圖比較單調(diào)或令人困惑，那么這套新的拼圖將重振游戲玩法，因?yàn)樗惺挛锖鸵磺卸家殉蔀閷ふ覎u嶼秘密的公平游戲。

And it was no mere coincidence that you made your discovery. Granted, you almost certainly discovered your first hidden puzzle without intending to do so, because you weren’t looking for it and no one told you to look for it. But in the back of your mind, you saw something that gave you pause, something you recognized. When you could have seen merely what was in front of you and been none the wiser, you instead made an observation and thought to yourself, “What if there’s something more?” It was your curiosity that drove you to look beyond what you initially understood about the world around you.

您做出發(fā)現(xiàn)絕非偶然。 當(dāng)然，您幾乎可以肯定地發(fā)現(xiàn)了自己的第一個(gè)隱藏難題，因?yàn)槟鷽](méi)有尋找它，也沒(méi)有人告訴您尋找它。 但是，在您的內(nèi)心深處，您看到了讓您停下來(lái)的東西，您意識(shí)到了。 當(dāng)您只看到自己面前的東西而沒(méi)有一個(gè)人更明智時(shí)，您反而觀察了一下，然后心想：“如果還有更多東西呢？” 正是您的好奇心驅(qū)使您超越了您最初對(duì)周?chē)澜绲牧私狻?

So often, we take for granted our surroundings because they were simply always there and we never stop to question it. Take gravity: there’s the iconic story of Isaac Newton and the falling apple. Gravity predates Newton by at least a few years and was readily evident for all to see. But it was not well understood until it occurred to Newton to study it and challenge any preconceived notion of how it behaved.

很多時(shí)候，我們認(rèn)為周?chē)沫h(huán)境是理所當(dāng)然的，因?yàn)橹車(chē)沫h(huán)境一直都在那里，我們永不停止質(zhì)疑。 注意重力：這里有艾薩克·牛頓(Isaac Newton)和墮落的蘋(píng)果的標(biāo)志性故事。 重力至少比牛頓早了幾年，并且所有人都可以輕易地看到它。 但是直到牛頓開(kāi)始研究它并挑戰(zhàn)任何關(guān)于它的行為的先入為主的概念之前，人們對(duì)它的理解還不是很清楚。

And that is perhaps my key personal takeaway from The Witness. There’s an entire world right in front of us full of discoveries to be made. It’s incumbent upon us to be mindful of our surroundings and alert at every moment, so that when serendipity strikes, we’re in a position to capitalize on that opportunity. Inspiration, revelation, creativity — all these things are rendered fruitless if we’re not prepared and willing to capture what that moment has brought us.

這也許是我從《見(jiàn)證人》中獲得的關(guān)鍵個(gè)人收獲。 眼前，整個(gè)世界充滿(mǎn)了許多發(fā)現(xiàn)。 我們有責(zé)任時(shí)刻注意周?chē)沫h(huán)境并時(shí)刻保持警惕，以便在偶然事件發(fā)生時(shí)，我們能夠利用這一機(jī)會(huì)。 靈感，啟示，創(chuàng)造力-如果我們不準(zhǔn)備好并愿意抓住那一刻帶給我們的一切，那么所有這些都會(huì)變得毫無(wú)成果。

That moment of epiphany is one of the most integral experiences in The Witness, be it whether you’re solving an especially challenging puzzle that the game lays in front of you or one of the hidden puzzles. It can be quite elusive, but if you pay attention long enough and loosen any prior assumptions you’ve held, eventually opportunity will strike. And it is at precisely that moment where everything seems to fall into place. The world is exactly the way it was before, only we’re different for having truly understood, experienced, and witnessed it in all its complexity.

頓悟的那一刻是《見(jiàn)證 》中最不可或缺的體驗(yàn)之一，無(wú)論是要解決游戲擺在您面前的特別具有挑戰(zhàn)性的難題，還是隱藏的難題之一。 這可能很難捉摸，但是如果您足夠長(zhǎng)時(shí)間地關(guān)注并放寬您以前的假設(shè)，最終機(jī)會(huì)就會(huì)來(lái)臨。 恰恰在這一刻，一切似乎都準(zhǔn)備就緒。 世界與以前完全一樣，只是我們與眾不同，因?yàn)樗嬲斫?#xff0c;體驗(yàn)并見(jiàn)證了它的所有復(fù)雜性。

翻譯自: https://medium.com/super-jump/discovery-in-the-witness-fef7bec0cef

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